Elshan Ghasimi appears in her work as a composer, virtuoso, singer and reciter.
© Arnaud Ele
In her playing [...] every phrase is invested with deep thought and grave authority" - Michael Church, Musics Lost and Found (2021)
Elshan Ghasimi (*1981 in Isfahan, Iran) a virtuoso of the Persian Tar and Setar (long-necked string instruments), an expert in classical Persian music, a composer, performance artist, and educator. Her work explores the intersections of tradition and modernity, East and West, music and other artistic disciplines. Language, music, physicality, and dramatic expression form as the foundation of her creative approach, which extends beyond music into the visual arts—exemplified in her project Elies Miniatures, an album, concert, and exhibition series that transforms inherited objects into musical experiences.
Ghasimi’s work is deeply rooted in the tradition and practice of Radif, the classical Persian music repertoire, which is transmitted through years of intensive study and internalization. She is the first musician in several decades—and the first female artist ever—to reinterpret this repertoire within a large-scale project.
Her musical education began at the age of nine under Majid Vasefi and Reza Vohdani, before continuing her studies at the Tehran Conservatory of Music with Fariborz Azizi. She further honed her craft under the guidance of esteemed masters Houshang Zarif and Hossein Alizadeh. At 17, she became the youngest member of the Iranian National Orchestra under the direction of Farhad Fakhreddini while continuing her studies at the Tehran University of Arts and Architecture. During this period, she expanded her expertise in Iranian philosophy, literature, poetry, Radif, improvisation, and Tar performance under the mentorship of Mohammad Reza Lotfi, Dariush Pirniakan, and Dariush Talai. Bilingual in Farsi and Azerbaijani, she further enriched her artistic perspective in Baku, where she studied the Caucasian Tar and Mugham, the classical music repertoire of Azerbaijan.
Since 2016, she has been based in Germany, where she continues to perform as a soloist, compose, and collaborate with renowned ensembles such as Concerto Köln. Her work bridges Persian musical heritage with diverse musical genres, including contemporary classical music, jazz, experimental music, and early music.
© Stark & Shakupa
The Reinterpretation of the Radīf
The Radīf (lit. "order, sequence") is the repertoire of classical Persian music. This collection of melodies, structured into twelve modular systems—the Dastgāhs and Avâz—has been orally transmitted for millennia.
The continuity and vitality of this tradition have always depended on its transmission from one generation to the next. However, since the first transcriptions into Western notation and the earliest sound recordings in the mid-20th century—a situation further exacerbated by the 1979 revolution—there has been no substantial renewal of the repertoire.
In the fall of 2022 (1401 in the Persian calendar), Iranian composer and virtuoso Elshan Ghasimi premiered the first chapter of her reinterpretation of the Radīf according to Mirza Abdollah, starting with the Dastgāh-e Shur, at the Bode Museum in Berlin. Since then, she has been sharing her reinterpretations with international audiences worldwide. She is the first female musician to undertake a systematic renewal of this classical tradition and UNESCO-listed Intangible Cultural Heritage.
Click on the image to start the video.
© Georg Stirnweiß
Elies Miniatures
Elies Miniatures is the name of a long-term collaborative project and a series of concept albums. The series, which began in 2018, merges music, visual arts, poetry, exhibition and biographical narration. At the heart of the undertaking is a poeticising remembrance of the life and work of the mystic, mathematician and poet El Arbi Bouqdib, who died in 2016.
Click on the image to start the video.
© Stefan Hähnel
Building Bridges between East and West
For Western musicians, non-European art music, which can only be inadequately represented by notation, remains a book with many seals. Breaking this down and building a bridge from east to west is one of Ghasimi’s heartfelt concerns. As a mediator and didactician between Persian and European music culture, she searches for new spaces and concepts of communication. It may surprise you: Western instruments can play classical Persian music.
Music for Cologne in Dastgāh-e Shur for the Kölner Philharmonie
Click on the image to start the video.
© Folkert Uhde
SHAHNAMEH (DUO Ghasimi & Püschel)
Das Schahnameh (dt. „Buch der Könige“) ist eines der bedeutendsten Werke der Weltliteratur und erzählt die Geschichte sowie die Entstehung der persischsprachigen Welt. Das Duo Elshan Ghasimi & Philipp Püschel bringt dieses Epos in die Gegenwart und verbindet dabei Jazz, freie Improvisation auf Tar und Trompete, Live-Elektronik sowie rezitierenden Gesang zu einem musikalischen Austausch, der die Jahrtausende und Kulturen miteinander vereint.
Ausgehend vom Radif, der klassischen persischen Kunstmusik, und inspiriert von den Texten des Autors Abū ʾl-Qāsim Firdausī (940–1020), nähert sich das Duo der östlichen Tradition aus einer zeitgenössischen Perspektive und verwebt diese mit heutigen musikalischen Ausdrucksformen.
© Madeleine Brunnmeier
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Elshan Ghasimi appears in her work as a composer, virtuoso, singer and reciter.
© Arnaud Ele
“In her playing […] every phrase is invested with deep thought and grave authority.”
— Michael Church, Musics Lost and Found
Elshan Ghasimi (*1981 in Isfahan, Iran) is a virtuoso of the Persian Tar and Setar (long-necked string instruments), as well as an expert in classical Persian music. She is a multifaceted artist, composer, performance innovator, and dedicated educator whose work explores the intersection of tradition and modernity, East and West, and music and other artistic disciplines.
Deeply rooted in the Radif, the extensive repertoire of classical Persian music, Ghasimi has dedicated years to its mastery and is pioneering its reinterpretation in a contemporary artistic context. At 17, she became the youngest member of the Iranian National Orchestra, marking the beginning of her distinguished career.
Since 2016, she has been based in Germany, where she performs as a soloist, composes, and collaborates with ensembles such as Concerto Köln, seamlessly integrating Persian musical heritage with genres, including contemporary classical music, jazz, experimental music, and early music.
Elshan Ghasimi is a master of the Persian string instrument Tar and the Radīf, the repertoire of classical Persian music.
Music for Cologne in Dastgāh-e Shur for the Kölner Philharmonie, 2021, © Folkert Uhde
Building Bridges between East and West
For Western musicians, non-European art music, which can only be inadequately represented by notation, remains a book with many seals. Breaking this down and building a bridge from east to west is one of Ghasimi’s heartfelt concerns. As a mediator and didactician between Persian and European music culture, she searches for new spaces and concepts of communication. It may surprise you: Western instruments can play classical Persian music.
RADĪF, Dastgāh-e Māhur, 2021, © Folkert Uhde
The renewal of the Radīf
The Radīf (English: series, sequence, ranking) is the melodic repertoire of classical Persian music and a collection of hundreds of melodic figures, so-called guschehs (cutout, corner, angle). These are in turn divided into 12 modal systems.
Elshan Ghasimi has been dedicating herself to the re-interpretation of this lore structure since 2020. She is thus the first woman in an ancient tradition to embark on an overall modification of this repertoire.
In early 2021, she recorded the Dastgāh-e Māhur as the first of the twelve systems.
RADĪF, Dastgāh-e Māhur, 2021, © Folkert Uhde Elies Miniatures I – Ein Garten singender Dinge, 2018 © Stefan Hähnel
Elies Miniatures
Elies Miniatures is the name of a long-term collaborative project and a series of concept albums. The series, which began in 2018, merges music, visual arts, poetry, exhibition and biographical narration. At the heart of the undertaking is a poeticising remembrance of the life and work of the mystic, mathematician and poet El Arbi Bouqdib, who died in 2016.
© 2025 Elshan Ghasimi. All rights reserved.
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Site-Info
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Masoud Morgan
Contact:
contact@elshanghasimi.com